Plate 4: Downtown, Kirkwall, Orkney, 2007
Kirkwall is a very different city than Stromness. It is the capitol of the Orkney Islands and the cathedral was located there as well as the seat of local government. This image was made from the tower of the Bishop’s Palace. Much of Kirkwall sits on land reclaimed from the sea. When the cathedral (next door to the Bishop’s Palace) was built the harbor was almost at its front door. The Orkney Library and Archive (the two white triangles on the right center of the picture) sits where the harbor and docks once were. Scapa Flow is off to the left and the North Sea off to the right. Most of the streets of Kirkwall are wider and more generous than in Stromness and the town sits on a more gradual rising slope of land. Only from the tops of the tower or the cathedral can you see Kirkwall laid out like this before you. You can see the influence of Scandinavian architecture in the stepped rooflines visible through out the town.
Plate 5: St. Peter’s Kirk, Sandwick, Orkney, 2007
St. Peter’s Kirk is one of my favorite buildings in Orkney. It is a beautifully restored 18th century church in which I have spent many a windy or rainy day photographing within its simple confines. I made this image on one of my last visits to the Kirk. Another workshop group was spread out around the ground floor and photographing the pulpit from the balcony. About the only place I could go and be out of the way was the window area in the west end of the building. As I sat there watching students work and watching the light, I saw this photograph. I loved the idea of bright light outside with tombstones visible, the edge of the window acting as a dividing line, and the curve of the window panes mirrored by the shadows on the inside wall of the window. No deep metaphorical imagery, just a beautiful picture.
Plate 6: White Boat, East End Lock of Harray, Orkney, 2005
Loch Harray is one of the great trout fishing lakes in Scotland. I had seen fishermen fishing from both boats and shore. One afternoon, after leaving the Ring of Brodgar, I drove past this beautiful white fishing boat. I stopped the car and my brother Bailey and I jumped out and grabbed the equipment. My intent was to imply the fishing nature of the loch with the image of this boat on shore. It spoke to me of the potential of fishing, of solitude on the loch and of enjoying a beautiful late spring day.
Plate 7: White Croft, Finstown, Orkney, 2005
This image was also made when my brother Bailey was working with me in Orkney. We stopped in Finstown and decided to take a walk to stretch our legs. Not far into the walk we saw the light on this white croft with the abandoned house on the hillside behind it. We found the right spot to set up the camera and were able to make an image that reflects the beauty of modern Orkney, along with the croft ruin of the past. In the lower right corner is an old mill and a stonewall leads up and across the hill. For me it is a perfect metaphor for Orkney: making use of the past, yet incorporating a modern agricultural present (note the modern farm stead in the upper right corner). Paired with the White Boat image, I experience the feeling of brightness I frequently encounter in Orkney. Maybe the whites seem so bright because the skies are often filled with fleeing clouds. I also sense similar feelings of harmony and peace within these two images.




