Archive for March, 2009

Odin Stone: Plates 4 – 7

Tillman Crane - Odin Stone Plate 4: Downtown, Kirkwall, Orkney, 2007

Odin Stone Plate 4: Downtown, Kirkwall, Orkney, 2007

Plate 4: Downtown, Kirkwall, Orkney, 2007

Kirkwall is a very different city than Stromness. It is the capitol of the Orkney Islands and the cathedral was located there as well as the seat of local government. This image was made from the tower of the Bishop’s Palace. Much of Kirkwall sits on land reclaimed from the sea. When the cathedral (next door to the Bishop’s Palace) was built the harbor was almost at its front door. The Orkney Library and Archive (the two white triangles on the right center of the picture) sits where the harbor and docks once were. Scapa Flow is off to the left and the North Sea off to the right. Most of the streets of Kirkwall are wider and more generous than in Stromness and the town sits on a more gradual rising slope of land. Only from the tops of the tower or the cathedral can you see Kirkwall laid out like this before you. You can see the influence of Scandinavian architecture in the stepped rooflines visible through out the town.

Tillman Crane - St. Peter’s Kirk, Sandwick, Orkney, 2007

Odin Stone Plate 5: St. Peter’s Kirk, Sandwick, Orkney, 2007

Plate 5: St. Peter’s Kirk, Sandwick, Orkney, 2007

St. Peter’s Kirk is one of my favorite buildings in Orkney. It is a beautifully restored 18th century church in which I have spent many a windy or rainy day photographing within its simple confines. I made this image on one of my last visits to the Kirk. Another workshop group was spread out around the ground floor and photographing the pulpit from the balcony. About the only place I could go and be out of the way was the window area in the west end of the building. As I sat there watching students work and watching the light, I saw this photograph. I loved the idea of bright light outside with tombstones visible, the edge of the window acting as a dividing line, and the curve of the window panes mirrored by the shadows on the inside wall of the window.  No deep metaphorical imagery, just a beautiful picture.

Tillman Crane - White Boat, East End Lock of Harray, Orkney, 2005

Odin Stone Plate 6: White Boat, East End Lock of Harray, Orkney, 2005

Plate 6: White Boat, East End Lock of Harray, Orkney, 2005

Loch Harray is one of the great trout fishing lakes in Scotland. I had seen fishermen fishing from both boats and shore. One afternoon, after leaving the Ring of Brodgar, I drove past this beautiful white fishing boat. I stopped the car and my brother Bailey and I jumped out and grabbed the equipment. My intent was to imply the fishing nature of the loch with the image of this boat on shore. It spoke to me of the potential of fishing, of solitude on the loch and of enjoying a beautiful late spring day.

Tillman Crane - Odin Stone Plate 7: White Croft, Finstown, Orkney, 2005

Odin Stone Plate 7: White Croft, Finstown, Orkney, 2005

Plate 7: White Croft, Finstown, Orkney, 2005

This image was also made when my brother Bailey was working with me in Orkney. We stopped in Finstown and decided to take a walk to stretch our legs. Not far into the walk we saw the light on this white croft with the abandoned house on the hillside behind it. We found the right spot to set up the camera and were able to make an image that reflects the beauty of modern Orkney, along with the croft ruin of the past. In the lower right corner is an old mill and a stonewall leads up and across the hill. For me it is a perfect metaphor for Orkney: making use of the past, yet incorporating a modern agricultural present (note the modern farm stead in the upper right corner). Paired with the White Boat image, I experience the feeling of brightness I frequently encounter in Orkney. Maybe the whites seem so bright because the skies are often filled with fleeing clouds. I also sense similar feelings of harmony and peace within these two images.

March 2009: 3 Rules of work

Dear Friends,

First, to each of you who responded to last month’s newsletter with such warmth and friendship, we thank you. We’re pretty sure that the content was never really meant for anyone other than ourselves but we felt great reassurance to hear that we were not alone in recognizing our need to take better care of our creative lives. So, how did your “one-hour of photographing” work out? Did you reward yourself with, perhaps a second hour, maybe even a third? Did the creative juices begin to flow like a river or was the experience more of a quiet trickle of possibility?

For myself I found it tough to get back to making a photograph. For the past several months Donna and I have been concentrating on getting ODIN STONE out and then immediately editing and sequencing the next book on the Jordan River (Utah). I’ve been focused on making finished prints rather than creating new images. So it took monumental effort for me to set up the camera and make an image in my own backyard. However, after getting the gear out the backdoor, I was so fired up I put everything in the car and went further a field. Rather than shooting a few new images in an hour I ended up making almost 25 new images over the course of the morning. Overcoming the inertia was tough but worth the effort.

I have just returned from a week in Utah, with my son Jacob. It was a week of work and pleasure blended together. I really enjoyed my one-on-one time skiing, hanging out and visiting places of interest to him. He’s coming up on 15 this spring and in a short time such a trip probably won’t be very desirable to him so I am thankful for the gift of time we were able to share. My time at the Waterford School has come to an end as the program changes to a smaller, digital curriculum. I am blessed to have had the opportunity of so many years working with the staff and students at the school and will miss, most of all, seeing the friends I’ve made along the way. However, the program is in good hands and a door will open to other opportunities.

I took the layout of the Jordan River book to meetings with the Salt Lake City Arts Center and Center for Documentary Arts. Hard to believe we’re already at this stage for the next book. We’ve hardly cleaned up the cyclone that blew through here with the production of ODIN STONE and already talking presses and essay and colophons! It reminds us of Albert Einstein’s three rules of work:

  1. Out of clutter, find simplicity.
  2. From discord, find harmony.
  3. In the middle of difficulty lies opportunity.

Out of clutter, find simplicity. One of our best friends, a single mom whose daughter left for college in January, is de-cluttering the house she’s lived in for 18 years, readying it for sale. At first the task seemed overwhelming, fraught with emotional mind fields. She found that by starting each day with just one box, in one room, that she was able to reduce the work to a more manageable task. We have to take a similar approach to this new book. It’s easy enough to get overwhelmed by the details, the financial risks, the limited space to spread out the new piles or to put away the piles left from ODIN STONE. A deep breathe (or two or three), an empty box, a single room. Eliminating the clutter, one pile at a time.

From discord, find harmony. This is a natural enough desire for most of us. Sometimes, however, the energy of discord breeds more discord, and that keeps us from hearing or seeing or acting in harmony with our surroundings or with those around us. (Not that there’s ever any discord with a couple working, raising kids and living together!) Sometimes making that step from discord to harmony is as simple as taking a deep breath and not speaking. Other times it requires taking the time to do something for ourselves. For me, that can be taking the camera out into the backyard and making an image. For Donna it can be going into her own studio or taking a walk with a friend. As adults we’ve all learned what activities calm and redirect us and which ones don’t serve to do so. Giving ourselves permission to do the activities that serve us best is often the problem. For this next month let’s run the experiment of giving ourselves permission to work towards the harmony, thereby decreasing the focus on the discord in our lives.

In the middle of difficulty lies opportunity. Difficult economic times don’t on the surface seem to be full of opportunity. Below the surface, however, as in every human being, lies great possibility for resourcefulness, compassion, and creativity. Focus not on what’s been lost or taken away, but rather on what you do have and what you can do. Take some time to look through those old photography magazines gathering dust on your shelf and see if someone else’s work sparks an idea for an image of your own. Come at your subject from a different angle, a different perspective than you usually work from. Use a different lens or aperture. Move the light or shoot at a different time of day. For a moment, step out of your comfort zone. If you are a still life photographer, go outside and be a street photographer. If you are a landscape photographer, make a portrait of someone you don’t know very well or at all. Observe what feelings this action brings forth. What differences do you notice in these photographs? What opportunities do these changes make possible?

We hope you all have a great month exploring, as the days begin to get noticeably lighter!

Tillman and Donna